Boekka’s 10th Birthday – Memories 2

2015

In 2015 my son moved away from the area to pursue his career. I took over the role of teacher for the Morris side as well as our Teazer dances. As we were low in numbers I was also needed as a dancer which meant I was unable to play music so most of out dances were performed with percussion only.

Chepstow Wassail 2015

Boekka acquired another ‘Oss rider who was the shortest one so far. This meant that Penkevyll did not tower above the other ‘Osses as she had in previous years. The rider was also a founder member of a local Morris side, so I danced with them on a few occasions.

St Pirans Day Redruth 2015

Trewellard Beer Festival

Wreckers Day of Dance

After the Wreckers Day of Dance, it was evident that our Morris side was not progressing despite our efforts and I decided to close it down. There was difficulty in recruiting dancers for Morris in West Cornwall at that time. I was also unable to maintain a high standard as I was only able to recruit less than adequate performers. I then had more time to concentrate on our Teazer and ‘Oss performances and danced with the other Morris side further up Cornwall.

All Hallows Dark Gathering 2015

At the Dark Gathering 2015 I performed with the local Morris side while Cassandra teazed  Penkevyll.

2016

2016 was a busier year, as well as performing with Boekka we attended events with the local Morris side. It seemed to work well as our ‘Oss rider also performed in both.

Chepstow Wassail 2016

Fowey 2016

Handfasting Event

Boekka was asked to perform at a Handfasting in Lamorna. Our other rider who lives locally volunteered for this one. The torrential rain outside, meant Penkevyll was well and truly soaked when she arrived for her performance that evening!

St Pirans 2016

Lostfest 2016

All Hallows Dark Gathering 2016

It was a busy summer and although I worked hard performing with the local Morris side, it did not satisfy me. On our arrival in Boscastle Friday evening for the Dark Gathering, certain toxic incidents confirmed it was time for me to leave this Morris side. After a heated discussion between Cassandra and the founder member, he announced that not only was he dismissing her from the team, but in retaliation, he would not ride Penkevyll at this event. Fortunately, another Morris dancer who was tall and fit, was not performing at the event that day and kindly offered to stand in.

2017

In 2017 Cassandra handed the role of Head Teazer to me. I was then able to concentrate solely on this performance without dividing my energies. Life with Boekka settled into a positive routine and the energies improved immensely.

Chepstow Wassail 2017

Cassandra focused on her drumming and met excellent percussionists who assisted in her development.

St Pirans Day Redruth 2017

While I teased Penkevyll at this event, Cassandra played percussion with a folk band known as Whippletree.

On Beltane 2017 we gave Penkevyll a total change of image, discarding unwanted residue from the past for a new beginning. Penkevyll had a new mane, new dress and her tatters are now Cornish colours of black, white and gold.

Although Cassandra had handed over the Teazer role to me, she could not resist posing for our new image with her ‘trusty’ snapper!

After completing Penkevyll’s new image, my creative juices were flowing, so I purchased a small ‘Obby ‘Oss known as Morvargh the Dark Sea ‘Oss. It is a good idea to own a smaller ‘Oss that I can ride when Penkevyll is unable to appear at an event. The foal is a welcome addition to our team and popular with Boekka fans.

Tintagel Carnival 2017

Boscastle 2017

All Hallows Dark Gathering 2017

Morvargh made her debut at the Dark Gathering 2017 during the afternoon. I rode her with Wreckers Morris during their Song of the Sea dance.

2018

2018 brought a surprising change to Boekka. A younger man contacted us with a desire to join a ‘dark and edgy’ team. We tried him out as rider for Penkevyll and he had good potential. He connected with the spiritual aspect of ‘Oss riding and treats Penkevyll with utmost care and respect. This is extremely important as ‘Osses are not merely puppets for one’s convenience and/or ego. This attitude sadly occurs more frequently now that owning an ‘Oss has become a fashionable ‘trend’. I have acquired apprentice Teazers that connect with Penkevyll in their own way. One of them also rides Morvargh on occasions.

Chepstow Wassail 2018

Although Penkevyll’s riders were unavailable for Chepstow, I managed to find a young, tall, muscular Welshman to ride Penkevyll during the afternoon. In the evening, we had the freedom to enjoy the ceremony on the bridge without an ‘Oss to distract us.

We spent the summertime training our new ‘Oss rider and Teazers who made their official debut at the next event.

All Hallows Dark Gathering 2018

Cassandra joined the drummers of wonderful Beltane as she enjoys their wild rhythms which are second to none!

It was wonderful to re-connect with my former Morris team from 20 years ago at this event. It provided the opportunity for me to come ‘full circle’; by performing my final Morris dance with them at the All Hallows Dark Gathering. This event is truly a place ‘between the worlds’ where magical things occur!

2019

2019 had a wonderful start with the Chepstow Wassail as we invited Beorma Morris along to this event. It was fabulous to catch up with friends we had not seen in a while as we missed them after the break up of Wytchwood Morris.

This year the Maris had a Beauty Pageant where Boekka were interviewed. There were 33 Maris and ‘Osses. We were waiting backstage for quite a while before our turn arrived.

My apprentice Teazer and I performed a choreographed dance that I used to perform with my former morris side. We danced on the bridge around Cassandra and Penkevyll.

St Pirans Day Redruth 2019

On St Pirans Day I had work commitments, so I left Penkevyll in the hands of my two Apprentice Teazers and they did a magnificent job!

Tintagel Carnival 2019

Boekka were joined by Mari Arianrhod visiting from Wales for the Carnival procession.

All Hallows Dark Gathering 2019

Morvargh took more of an active role this year, rode by one of our Teazers. I stepped in as co-organiser after the sudden departure of the managers from the Museum of Witchcraft and Magic.

2020

The Chepstow Wassail was unfortunately cancelled this year, so we attended the Brecon Wassail. It is a smaller event; however we were keen to meet up with our Welsh friends who joined us with their Maris. Our Teazers also performed with the Welsh dancers, although the dancing in my opinion was better when we rehearsed the previous evening during our drinking session!

Cassandra’s wonderful 70th Birthday Party occurred in March 2020 with our special guests – the fabulous Beltane Border Morris. After that, the pandemic arrived and it became one of the strangest years we have known as events were cancelled and the world changed beyond recognition! Let us hope we can return to normality as there are many performers missing their music and dance which is an important part of our lives!

So there you have it….10 years of Boekka and what an incredible, eventful journey! I wonder what the next 10 years will bring…… we shall see you soon!!

Tenth Anniversary as Village Wisewoman

Spring Equinox 2020 marks the tenth anniversary since Cassandra Latham Jones handed over her business of Village Wisewoman to me.

I previously worked as a qualified holistic therapist and was accustomed to dealing with clients. When providing alternative therapies however, clients are dealt with in a different way.

Consultations providing guidance can be similar to counselling (in which I now have a Diploma) as clients contact us about life’s dilemmas. We discuss appropriate methods and provide guidance that could assist them with their problems.

Cassandra has a unique way of working and has built a good reputation, a tough act to follow for anyone who takes on her work. I was a resident of Cornwall for only ten months before I embarked on these pursuits. Although the community did not know me well, I had adequate experience to provide the services required. As time passed, I settled into the village community and frequented our local Inn, attended some church services and village events. I am also a musician and ‘Oss Teazer at local folk festivals.

In a short period of time I developed and organised a correspondence system for dealing with clients creating a selection of email folders for: inquiries, readings, distant readings, spells, charms, rites of passage, feedback, property cleansings,  and wart charming as well as Wisewomen walks and workshops. Explaining to a client the list of items required for services we provide has become routine now and I converse with the confidence that comes with experience.

Cassandra taught me the best way to handle business accounts and it’s not a difficult task with a small business. I admire her for managing her own accounts throughout the years as she has ‘dyscalculia’. It was less of a problem for me as I am good with numbers and now modern technology lessens the burden of mathematics.

I understand why a ‘code of ethics’ is necessary as it is not good practice to cast spells for clients who desire to influence others against their will. These spells can have huge repercussions and I have witnessed the consequences some individuals have suffered after casting spells for selfish reasons or sending curses.

Learning the process of creating charms has been an enjoyable aspect of my work and is reminiscent of past interests with cross-stitch embroidery and crochet skills during my childhood and adolescence. I am also skilled in intricate needlework and the corresponding ingredients for each charm continues to fascinate me as each charm is unique for each client. For example,  when I construct two fertility charms neither is identical in appearance or contents.

Another aspect where needlework skills come to the fore is the creation of clothes for hearth dolls. This inspired me to create more clothing for other dolls that have uncanny likenesses to the images they represent.  Cassandra has said that my work with dolls is one of my outstanding talents.

I have witnessed many Tarot readings and know Cassandra’s Tarot cards well. I am able to provide readings with an identical deck if she were unable to do so. The psychic impressions and messages I receive during a consultation before the tarot spread is laid out, are then confirmed by her readings. Our distant readings for clients are extremely accurate and this has enabled us to provide guidance for clients globally.

The Handfastings we provide are wonderful occasions. We have been Celebrants at wondrous sacred sites and unusual venues. My past ceremonial training comes to the fore when setting up a sacred space although the words that I use have changed, providing a deeper connection to the ancient land around us.

We prefer that a couple to have known one another for at least a year before taking this important step. Some were legally married a considerable length of time and wished to renew their vows. Others have a spiritual ceremony with us and visit a registry office before or after the ceremony if they require a legal contract.

I would love to experience more of these occasions on beaches or by the sea which in my opinion, adds to the romance.

Our property cleansings are quite an adventure, from modern houses to period properties, cottages, hotels and public houses. The history and varied lives people lead can leave residual energies that penetrate the foundations of buildings. These can affect properties in startling ways. The spirits of deceased owners can form an attachment with their former properties and find it difficult to leave them to others. Some spirits are harmless and the present occupiers are comfortable with their presence, however there are those that cause problems and clients need help in moving them on.

I have experienced on many occasions the remarkable difference of energy and atmosphere within a property after cleansing when we have re-visited them.

Image – John Isaac

Spell casting is an exciting aspect of our work, particularly when a specific time is set for a client to work along with the practitioner. There have been occasions when the required result has occurred within 24 hours and for others, a period of time has passed before reaching a successful outcome. Throughout this past year I have worked with one particular client casting many spells for an ongoing legal case and each spell produced a successful outcome for each stage of the process.

Our workshops have been successful. Attendees are intrigued by the work we do and enjoy spending time with us to experience this.

We have met some wonderful individuals and had many fascinating discussions. It is heartening to hear feedback on how these experiences have changed their lives in a positive way.

I have learnt more information on our ‘Walks with Wisewomen’ as Cassandra repeats the folklore and stories of various sites on each occasion. She is delighted with the way our work has become ‘second nature’ to me. It is not an easy path and I have been severely tested throughout the years. Cassandra is also pleased with the way I advertise and network to reach more people who need assistance and the business has grown considerably compared to when she worked alone.

So there you have it…..ten years of organisation and work within the business of Village Wisewoman. It is so important to have an occupation one enjoys that does not lose its fascination!

I thank Cassandra for her patience and tuition over the last eleven years. Her methods are often unorthodox and there were times I did not understand them, or how it would benefit me, until I put her tuition into action. This scene from the movie Karate Kid is a good example of what I am referring to:

I look forward to the next ten years, becoming older and wiser as I continue our work of assisting the community!

Image – John Isaac

Folk Craft Workshop at MWM, Boscastle 2019

Cassandra and I hosted a Folk Magic workshop at the Museum of Witchcraft and Magic as Simon Costin had suggested it.  Cassandra’s book Village Witch is stocked within the Museum retail outlet, therefore a workshop provided  readers with more information on the subject. They could interact and ask Cassandra any questions in person.

It was a glorious warm sunny day when we arrived. Simon had other commitments that day but Fergus was around if we needed assistance. It was good to catch up with Judith Noble who was overseeing the Artists Residency event that day.

We had 18 attendees, each were either on their own individual spiritual path or not actively practicing but curious about the Folk/Cunning Craft.

Cassandra has years of experience in her Craft and good rapport with her audience. She works from an outline of subjects so the talk is more spontaneous and interesting for her listeners.

Cassandra is ‘down to earth’ with humorous moments that keep the audience entertained. It also helps to lift the atmosphere when discussing more serious aspects of the Craft.

After two hours of discussion, we had a lunch break, enjoying the warm sunshine and sea air.

The group returned to the Museum after lunch and Cassandra guided them on a hedgerow walk near Minster Woodland to harvest wild greenery for their witch bottles. I remained in the library updating our business accounts and searching for the video Cassandra planned to show the group in the afternoon session.

On their return, the subject of spell casting and energy raising was discussed. The following video is an example of how working women used chants, while engaging in repetitive work. This helped with accurate timing of movements and also creates a bond between all workers. One member of our group made an interesting comment about the singing, as it would become apparent if a worker grew weary, meaning that they could either take a break or slow down.

The group then moved their chairs to form a large circle and we placed all ingredients for witch bottles into the centre of the space. They could help themselves to the ingredients that they required. I suggested that they began by holding their jar or bottle for a few minutes while connecting with the spirits and ancestors for assistance.

There were many conversations and also sharing of greenery as they all filled their receptacles. We explained that they would need to take them home to add a personal bodily fluid of their choice. When that is done they seal the jar or bottle by placing a real wax candle on the lid so the wax drips down over the seal. It can also be done by binding with twine before sealing with wax, or a modern method of adhesive tape (although we do not recommend the use of plastic.)

A few members of the group visited the Museum retail outlet and purchased Cassandra’s book Village Witch. They asked her to sign them.

When the workshop was complete and everything was returned to its place, I took another opportunity to sit upon the fabulous Gothic chair in the library. It once belonged to ‘Old Horny’ the goat God who now stands tall within the Museum.

We would like to thank the Museum of Witchcraft and Magic for inviting us to host this workshop and all who attended it for being such a wonderful supportive group. I’m sure we will be seeing you again.

Feedback:

“Had an absolute fantastic time at Cassandra and Laetitia Latham Jones’ Workshop at the Museum of Witchcraft and Magic today. Learned so much, had a lot of laughs and discussions – it was total ‘amazeballs’! They truly are amazing and inspirational. Thank you both for such an awesome day of magick! Blessed be. xx” E.G.

“It was a fun, interesting and informative day. Cassandra is as entertaining as she is knowledgeable. Thank you both” C.M.

Wonderfully informative with humour and what a fabulous turn out! Cant wait to attend another one” M.E.

“We attended this first workshop and it was amazing, great people and great vibes, thank you everyone see you again!” M.H.

“Wonderful inspiring day with you all. Thank you Cassandra and Laetitia.” K.H.

“What a Wonderful day with beautiful people. Can’t wait to go back to Boscastle to go walking in minster woods. Thank you Cass and Laetitia for a day of knowledge and learning. Xx” P.O.

“We had a wonderful day lovely people and a great feel here yesterday x”

“I really loved it and look forward to the next one. Xxx💜xxX” G.W.

“I loved every moment of and loved the walk to collect wild flowers.” S.H.

“Can’t wait for the next one! Thank you Cassandra and Laetitia. Many new things heard and learnt. It felt very special. I’m only beginning to feel my way around ” spirit” but excited for the journey. Hope to see you all again soon.” C.D.

Fifteen Years Performing as Teazer

(Post updated 2024).

It was on 26th June 2009, that I first ventured onto the streets of our local town for my apprentice Teazer performance under the tuition of Cassandra Latham. I had previous experience of Morris dancing and performed at various folk festivals, however I mistakenly assumed the role of Teazer would be something similar.

It all began with a telephone phone call in November of 2008 from an acquaintance who asked if I would be interested in training for the role of a Teazer. They briefly explained what it would entail and I agreed to try it. Doing so would also provide an opportunity to be involved in a community event after recently moving to Cornwall. I had visited the home of the acquaintance and their partner on a few occasions when they were in the process of creating a new Penglaz ‘Oss after the original one retired. They were excited about the project and I witnessed the gradual construction of the new ‘Oss. It was the first time I had seen a horse’s skull and heard about the folk tradition in which they are utilised. Cassandra contacted me and invited me to attend the 2008 winter solstice festival, so that I could observe her first performance with the new Penglaz.

The acquaintance who introduced us was also a photographer at the event and suggested I wore a mask and dark clothing, as the majority of the crowd would be in ‘mock formal’ attire.

On our arrival I joined the back of the procession with my former husband and son. I then made my way to the front to observe Cassandra’s performance. The ‘Oss did not appear during the first procession so I concentrated on her movements in the procession. Cassandra marched at the front of the band in time to the music, waving to people who lined the streets. At the hill fort we stood around a large fire beacon to warm ourselves and also visited an Inn with the photographer, their partner and one of their friends.

The crowd seemed to increase in number for the second procession and once again I followed at the back with my husband and son, then gradually moved to the front.

Cassandra and Penglaz appeared out of an entrance adjacent to a restaurant in Chapel Street and were welcomed by enthusiastic cheers from the crowd. The energy was wild and exciting.

When I previously performed at festivals with my former Morris team, I was one of many performers that day. It was a little disconcerting on this occasion to see that Penglaz and her Teazer were the main characters and focus of the event. It meant there would be greater pressure on this performance. I voiced my concerns to the photographer who assured me not to worry and it would all have a positive outcome.

During my interview with Cassandra on the 26th January 2009, she said that  someone who created and rode a second new ‘Oss, had an ongoing disagreement with her, but she assured me I would not be involved in this matter.

Cassandra and I met regularly for practices at a yard owned by an engineer known to the photographer. My son and husband both rode the ‘Oss and each of them had a unique interpretation which gave her varied personality traits within each performance.

My former husband gave the ‘Oss a cheeky character, while my son being only seventeen at the time, was unpredictable, mischievous and Cassandra said he was and still is, the fastest ‘Oss rider she ever had!

Although I was an experienced dancer, I needed to develop a connection with a completely different type of energy to perform this role. Cassandra sent me explanations and descriptions of the Bucca elemental (of sea and storms) spirit that works through the ‘Oss and Teazer.

I modelled my Teazer kit on the one Cassandra wore, as the Teazer ‘cross dresses’ to represent the ‘male and female’ aspect and ‘topsy turvy’ Cornish energy. Cassandra attended a ‘guild meeting’ and presented its members with video footage of our practices, announcing I would be her apprentice Teazer and apparently it received their approval.

Our first appearance was on Friday 26th June 2009 on Mazey Eve. My former husband volunteered to ride the ‘Oss on that occasion and we were understandably a little nervous on our first appearance particularly within a community we were unfamiliar with.

On reflection I am sure many were wondering who we were and why we had been placed into a ‘lead role’ within their community festival! Just before the performance I was instructed by Cassandra to wait outside a local inn while she attempted to locate someone. A local man approached me asking why I was there and when I explained, he replied that I would never be as good as Cassandra and spoke about how long he had known her and revealed rather personal details of her life! What an encouraging start to the evening!

We prepared ourselves and Penglaz in a room at the Barbican and Cassandra stood at the open top window waving at the gathering crowd as they cheered and returned her wave. We made our entrance from the large black Barbican doors to lively music provided by the Golowan Band and cheers from the crowd. Mazey Eve is a wild celebration and extremely crowded, so keeping near Penglaz and making our way through a jostling crowd is quite a task!  I observed Cassandra closely and on many occasions our movements were naturally identical which boded well for future development.

Cassandra imbued a confidence and connection with the ‘Oss during her seventeen years of Teazing, something that would also develop within me after years of experience. One’s reflexes need to be quick due to the unpredictable behaviour of the ‘Oss and the crowd.

The Teazer’s role is to attempt to control the crowd as well as keep an eye on the ‘Oss, making space for her to move around. She also needs protection her from over-enthusiastic intoxicated revellers who step into her path, or stand too close, as this could result in injury. There were specific signals Cassandra used to direct Penglaz, to laugh, dance and also stand still if needed. The stomping and snapping move of the ‘Oss is one that takes practice as the timing of snapping the jaw and stepping need coordination. My son accomplished this move quickly and with a spectacular result.

After my first performance as Teazer, I received some positive feedback, plus a few criticisms from one, who thought I should tease in exactly the same way as Cassandra. At first I could not understand what he meant, however after years of experience I understood, as he advised me to watch her feet. Mine now move in the same way as the energy has ‘grounded’ within the performance.  Another person did not agree with two Teazers being on the street instead of one, but Cassandra explained it was the best method for training. Whatever their opinions, I knew I had done a good first performance for someone with no previous knowledge or experience of ‘Oss Teazing.  My role with Cassandra and Penglaz in Penzance continued for two years and then we were dismissed from the festival over further political issues. (See Original Penglaz Reinstated). I was relieved to be out of this negative situation within the Golowan festival, as we were then free to perform in our own way and wherever we wished. We then re-named our ‘Oss and Guise team.

Throughout the years, Boekka has had three changes of colours and image. We have also had performers and riders come and go, however what remained constant in our team was the unity of Cassandra and I as Teazers. I performed alongside her for eight years and then, after twenty five years of Teazing, Cassandra handed the role of head Teazer to me.

I have developed in this role over the years and the strongest connection and change occurred at the Dark Gathering  of 2016 after leaving a situation that was, on reflection, toxic and energy draining. The Teazer role needs total focus and I discovered that dividing my energy between Morris dancing and Teazing did not work well for me.

I now have an apprentice Teazer and new ‘Oss riders. All are doing extremely well and Boekka is going from strength to strength.

This year will be our 14th year of performance (as our team first formed while our ‘Oss was still Penglaz during 2010). I also own and occasionally ride my foal ‘Obby ‘Oss by the name of Morvargh (Cornish for Sea Horse).

I have learnt some valuable lessons in the last fifteen years and am not the same person who moved to Cornwall in 2008, however I have some fond memories of those early days.

Cassandra has asked me to mention that I am the ONLY Teazer she has taught and I am proud of this.

It has certainly been an eventful but rewarding journey!

The fun continues……

Read more about Boekka

St Pirans Day 2019

It was a wild windy day when Boekka ventured out to celebrate St Pirans Day in Redruth as Boekka has attended this event for the past 7 years.  Due to work commitments I was unable to attend, which meant my two apprentice Teazers and a new rider had to perform alone. I work hard training them, just as Cassandra had with me. Any Teazer ‘worth their salt’ would not lightly hand the role over to just anyone. They need to have self discipline and respect for this role, which meant I had the utmost confidence in my trainee Teazer’s abilities.  I received excellent feedback on how well they performed and members of the public described Boekka combined with Whippletree as the happiest group at the event. I am so proud of them all!

There are some wonderful photographs below.

Read about the history of St Pirans Day

Wise Woman’s Spells and Charms – Memories

I have fond memories of my first visit to the Museum of Witchcraft and Magic in 1996. I had not visited a venue about the Occult before and was a little apprehensive but also excited.

Museum of Witchcraft 1998

The Museum altered dramatically when Graham King took over as the new owner. On my next visit in 1998, the energy and display within was in complete contrast to what was there before. As I walked around the Museum reading information about the artefacts, I was enchanted by the haunting repetition of the soundtrack of chants.

As I neared Joan’s cottage, it evoked the same feeling as if one was approaching a real Wisewoman’s abode. The sound of her voice from within increased in volume as I turned the corner at the end of the corridor. It had a deep disconcerting tone…… a voice from someone not easily approachable, however in dire circumstances one would need to summon the courage to seek help. This was the voice of a person who could be formidable should you upset them.

I stood in the doorway listening carefully as I observed the cottage, the hearth and real cats that had been stuffed by a taxidermist. There was an energy surrounding these animals as though their spirits were nearby. If you observe Joan long enough you can almost see her move with her fixed gaze on the crystal ball in front of her. I stood there contemplating what it would be like to live in a cottage like this and how an elderly woman would survive the winter months, whether she would manage to attract sufficient work in order to live comfortably.

Before I left the Museum I inquired about the soundtrack and purchased one of the first cassette tapes from the retail outlet. I listened to this tape frequently on returning home and thought about the woman who recorded the spells and charms. I had not met Cassandra at this time and her voice sounded older than her actual age, (the sign of a good actress). I could tell she was a smoker, that brought the image of Granny Boswell puffing on her pipe to mind.

Little did I know what life had in store for me over the following 21 years!

So here I am, living in Cassandra’s cottage, the inspiration for Joan’s cottage at the Museum of Witchcraft and Magic. I have been taught by the Wisewoman whose voice I first heard on the original recording for the past ten years…… the ‘powers that be’ have taken me on an amazing, unexpected and testing journey.

Last evening Cassandra and I produced the following video footage of her working by the hearth, while listening to the original soundtrack for Joan’s cottage at the Museum of Witchcraft and Magic. We have heard that many miss the original recording, so we thought it would evoke wonderful memories for them. It certainly does for me! Enjoy!

I recently received this message from someone:

“Hi, sorry for the random message but I wanted to reach out to say thank you to you and Cassandra. I’ve been going to Boscastle for years and was a friend of Graham, and even donated a sea object back to the museum back in 2004. It was part of the original collection on the Isle of Man which was later sold. Anyway, I wanted to say thank you because I recently bought Joan’s Spells CD from the museum shop expecting to hear the original recording by Cassandra, and was really disappointed when it wasn’t. Then I found the video of original soundtrack you made on YouTube it brought back so many magical memories, as well as the voice fitting the installation, which for me the new one doesn’t. Thank you for keeping the magic alive. Blessings to you both x” V.B.

To read Cassandra’s explanation of the Museum soundtrack for Joan’s Cottage go to her article Needs Must When The Devil Drives.

An Auspicious Dark Gathering in 2018

This year I took on extra responsibility in organizing The Dark Gathering as Cassandra needed help as the managers of the Museum of Witchcraft and Magic informed us they were leaving. We worked closely with Simon Costin the Museum owner informing and updating him on all arrangements.

Many people enjoy this event each year, but have no idea how much work goes into it. As well as caring for the performers, Cassandra goes the ‘extra mile’ in caring for the community, ensuring they know where to find accommodation and refreshments. She also arranged with village residents a ‘park and ride’ scheme so disabled folk would find it easier to get to Boscastle. Cassandra has had huge support from the Museum of Witchcraft and Magic, the Chamber of Commerce and other members of their local community.

When 2018 began, I sensed there would be significant changes in our lives and this has proved to be so.

At The Dark Gathering this year, our special guests were my former Morris team. I first joined them back in 1999 and looked forward to seeing them once again.

Image-Chris Hicks

The first dance is known as ‘Four Seasons’. A person or item of significance is often chosen to stand in the centre of the space while the men dance around them. I was delighted when the Squire chose me. It brought back fond memories of the last time this had occurred outside the King Arthurs Arms Tintagel in 2001.

Later that afternoon, I was invited me to join them in performing my favourite dance. It’s one I always remembered even though it had been fifteen years since I last performed with them. I heard that it is also a favourite dance that Beltane Border Morris like to watch.

I had no time to practice, so they performed the dance first and invited me to join them for a repeat performance. As soon it began, the fifteen years I had been apart from them seemed to disappear. I danced every move as precisely as I had all those years ago because I had received good training from the Vixen Foreman at that time.

Here is video footage of their dance and at the end, you can hear them invite me to join them.

They were amazed that I remembered it all and pleased with our performance together. It was wonderful to receive a hug from them all when the dance was over.

The last time I performed with the team in Boscastle outside the Museum was on the twelfth of June 2001 to mark the fiftieth anniversary of the Fraudulent Mediums Act and Witchcraft Repeal.

Participating in this dance again not only gave me a wonderful positive memory of my final Morris dance at The Dark Gathering, it completed the circle by beginning and ending my Morris life with them. It was the most satisfying Morris dance I have participated in at this event and I cannot thank them enough for that opportunity.

The Dark Gathering goes from strength to strength and has a protective energy that surrounds it. Long may it continue.

Caravanning Celebrities meet Wise Women of West Cornwall

In May this year we were invited by Channel 5 to take part in their programme Celebrities go Caravanning. We hoped the selected celebrities would have an open mind and respect the work we do.


Squeezed into Cassandra’s tiny cottage was a camera crew of four with all their equipment and two celebrities, Colin Baker and Sherrie Hewson. There was limited room for manoeuvre! My familiar Clutterbuck is accustomed to the media visiting Cassandra’s cottage and no longer makes a hasty retreat via the cat flap. He was the star of the show on this occasion!

A huge thank you to Chris Neno for the photographs above.

Channel 5’s camera crew portrayed the subject well and showed respect for Cassandra’s property. It was a pleasure to work with them and along with Colin Baker and Sherrie Hewson who were fascinating people to converse with. The chants and incantations we used are for media purposes and not included in our personal work.

I recorded the following footage of this programme from our television:

The Titanic’s Cornish Connection

I have always felt a strong connection to the history of the Titanic and was unaware of its significant connection with Cornwall. When I visited the Titanic Exhibition at the Falmouth National Maritime Museum on 29th July this year I discovered more information.


The Christmas card was sent to Lulu Drew, the widow of James Drew, originally from Constantine. Lulu and James had emigrated to America in 1896 and in 1912 they returned to Cornwall to visit family. For their return journey to America they travelled on Titanic, and their cabin was next to that of Emily Richards of Newlyn. Remarkably descendants of Emily Richards have also lent items to the Museum for the exhibition.
Sadly James lost his life in the disaster on 15 April 1912. The Christmas card reads: “At this time of year our thoughts are with Lulu Drew who lost her husband James when the Titanic sank. From Aunt Bessie xx”

Ernie Warmington has also lent the Museum a memorial postcard that was sent from Portscatho to Mylor. Memorial postcards were printed after the disaster to help raise funds for the survivors.
Ernie Warmington says: “I’ve visited the Museum to see the Titanic exhibition and the Cornish connections on display have made a real impact. I knew I had these objects and that they would be of great local interest, I just didn’t know where to lay them.

Here are some of the Cornish passengers of the Titanic:

.Mrs William Rowe Hocking was born as Eliza in Tresco in the Scilly Isles off Cornwall, England on 12 April 1858. She first appears on the 1861 census living at Bay on Tresco but the family later settled on the British mainland and appear on the 1871 census at an unspecified address in Penzance, Cornwall. She was married in Penzance in 1880 to William Rowe Hocking (b. 1854), a confectioner’s foreman, and the freshly married couple appear on the 1881 census living at 27 Leskinnick Terrace, Madron, Penzance. Her daughters and two grandsons were rescued in lifeboat 4. Her son George was lost.

Mr Edwy Arthur West was born in Perranzabuloe, Cornwall, England on 20 November 1875. Edwy first appears on the 1881 census when he and his family are residing at Point in Feock, Cornwall. When the family appear on the 1891 census they are residents of Kenwyn, Truro and Edwy, then aged 15, is still attending school. Edwy had struck out by himself by the time of the 1901 census and he was recorded as boarding at 76-86 Rings Road, Portsmouth and he was described as an unmarried house furnishers assistant. Arthur had served as a chorister for many of his young years in Truro Cathedral and to mark his passing a memorial to him was placed within the Cathedral by his wife and daughters who, after the tragedy, returned to live in Cornwall.

Ada Mary West was born 1879, Truro, Cornwall. Ada and her family appear on the 1881 census living at Prospect Place in Truro. Ada West died in St Vincent’s Nursing Home in Plympton, Devon on 20 April 1953 aged 74. One keepsake that remained in her possession for the remainder of her life was the flask that her husband had passed to her the last time she ever saw him.

Mrs William John Wilkes was born as Ellen Needs in Tresco in the Scilly Isles off Cornwall, England on 13 June 1864. She first appears on the 1871 census living with her family at an unspecified address in Penzance, Cornwall. Also travelling with her, albeit in second class, were her sister Eliza Hocking and her son George and two daughters Ellen and Emily with the latter’s two sons. Ellen was rescued on lifeboat 16. Her sister, nieces and great-nephews were rescued in lifeboat 4.

Master Sibley George Richards was born in Newlyn, Cornwall, England on 17 June 1911. He was the second son of James Sibley Richards (1887-1939), a general labourer, and Emily Hocking (1887-1972). His parents were both Cornish and had married in 1908. By 1912 he had one sibling, his elder brother William Rowe (b. 1909). On the night of the sinking Sibley and his brother were asleep in their cabin with their mother when their grandmother came to alert them of the danger. The family escaped in lifeboat 4 but his uncle was among the lost. Arriving in New York, he was met by his father who had travelled from Akron.

Master William Rowe Richards was born at 6 St Mary’ s Street, Penzance, Cornwall, England on 1 April 1909. He was the eldest son of James Sibley Richards (1887-1939), a general labourer, and Emily Hocking (1887-1972). His parents were both Cornish and had married in 1908. He was named after his maternal grandfather. On the night of the sinking William and his brother were asleep in their cabin with their mother when their grandmother came to alert them of the danger. The family escaped in lifeboat 4 but his uncle was among the lost.

Mrs Sidney Richards (Emily Hocking) was born in Penzance, Cornwall, England on 22 April 1887. She first appears on the 1891 census living at 39 Adelaide Street, Penzance. Her father is believed to have settled in South where he died and her mother remarried, becoming Mrs William Guy. The family appear on the 1901 census at 34 Mount Street, Penzance. Emily was married in 1908 to James Sibley Richards (b. 9 October 1887), a general labourer from Newlyn, Cornwall. The couple appeared on the 1911 census living at 6 St Mary’s Place, Penzance, a boarding house ran by her mother. The couple would have two sons whilst in England: William Rowe (b. 1909) and Sibley George (b. 1911) and later lived at ‘The Meadow’, Newlyn. Their boat was only a short distance away from the Titanic went it went down. The people in the boat pulled seven men out of the water. The Richards and Hockings hoped that George Hocking had been rescued by another ship, but he was lost. After leaving the Carpathia, the Richards stayed at Blake’s Star Hotel at 57 Clarkson’s Street in New York City and she was reunited with her husband Sibley Richards who had travelled from Akron.

Frank Thomas Andrew 1 was born as Thomas Francis Gribble in Perranarworthal, Falmouth, Cornwall, England in the closing months of 1885. Frank grew up on his father’s 25 acre farm, Gilly Tresamble, in Perranarworthal and appears there on both the 1891 and 1901 census records. Frank was married on 4 July 1908 at the register office in Helston, Cornwall. His bride was Rhoda Tripp (b. 11 December 1887). Rhoda hailed from Redruth, Cornwall and was the daughter of Henry Tripp, a farmer, and his wife Emily. Frank and Rhoda settled in Illogan, Cornwall and lived at Forest Gate, Four Lanes in that village, appearing there on the 1911 census. At that time they had one daughter, Lucy (b. 30 November 1908). Frank worked as a tin miner. Frank Andrew died in the sinking and his body, if recovered, was never identified.

Robert Hichens 1 was born in St Peter’s Square, Newlyn, Cornwall on 16 September 1882. He was the son of a fisherman, Philip Hichens and Rebecca Hichens (née Wood) who was originally of Whitby, North Yorkshire. By 1906 he was shown on his marriage certificate to be a “master mariner”. He had married Florence Mortimore at the parish church of Manaton, Devon on 23 October in that year. On the night of 14 April 1912 Robert Hichens was at the ship’s wheel (having relieved Q.M. Oliver at 10 p.m.) when the warning came from the lookout that an iceberg had been spotted ahead of the ship. When the order came to hard a’starboard he immediately swung the wheel as far as it would go. At about 12.23 he was relieved by QM Perkis at around which time one of the officers shouted ‘That will do with the wheel, get the boats out.’ Later, Second Officer Lightoller told Lookout Fred Fleet to get into Lifeboat 6 on the port side and put Robert Hichens in charge of that boat. The lifeboat (capacity 65) left the ship at about 12.55 with only 28 persons on board with the order that they were to make for the lights that could be seen in the distance.

Robert’s conduct on the lifeboat would later come under intense scrutiny. After being rescued and landing in New York, Senator William Smith had subpoenaed 29 crew members for the US Inquiry and the remaining crew were to return to England on April 20 aboard the steamer Lapland. Robert hadn’t received any notification, and so he was aboard Lapland when it left New York at 10 a.m. Shortly after departing the ship received a wireless to stop and await a boarding party. When the boarding party arrived 5 more crew were taken ashore, among them was Robert.

Mr Richard George Hocking, 22, was born 26 July, 1889 at 39 Adelaide Street, Penzance Cornwall, the youngest son of Mr William Hocking (Confectioner and Baker) and Mrs Eliza Hocking (née Neads). After the death of his father in South Africa the family moved to 6 St Mary’s Street, Penzance.

George perished in the disaster, his body, if recovered, was never identified. His mother had asked him to enter her lifeboat but he replied, ‘No, these men are good to stand back for you, and I must stay back and let their wives and mothers go’. A brass plaque in memory of George Hocking and his friend Harry Cotterill was placed in St John’s School, St Michaels’s Street, Penzance shortly after the tragedy.

Miss Ellen “Nellie” Hocking was born in Penzance, Cornwall, England on 5 November 1891. She was the daughter of William Rowe Hocking (b. 1854), a baker and confectioner, and Eliza Needs (b. 1858). Her father hailed from Cornwall whilst her mother was born in Tresco on the Isles of Scilly and they were married in 1880. When Nellie appears on the 1901 census she is 34 Mount Street, Penzance. Her mother was on her second marriage by this time–the ultimate whereabouts of her father being unknown–to a Mr William Guy. Mr Guy died in 1907 and the family later show up on the 1911 census living at 6 St Mary’s Place, Penzance where her mother ran a boarding house. She remarked at one time to Nora Keane that as night had fallen the previous night she had heard a cock crowing (a sign in Cornish folklore of impending disaster). Nellie was told that she had imagined it but she was adamant.  Nellie, her mother, sister and nephews were rescued in lifeboat 4. Her brother George was lost.

Mr Joseph Charles Fillbrook was born in Truro, Cornwall, England in early 1894. He was the son of William Fillbrook (b. 1868), a mason, and Catherine Vincent (b. 1866). His father was native to Truro whilst his mother was Canadian-born. Joseph first appears on the 1901 census living at the home of his maternal grandparents Edward and Mary Jane Fillbrook at 10 Victoria Square, Kenwyn, Cornwall and again on the 1911 census with his now widowed grandmother at Williams Row, Calenick Street, Kenwyn; he was described as a house painter by the time of the latter record and had been apprenticed as such since leaving school. His parents and siblings are listed on the 1901 census living at 8 Lemon Row and on the 1911 census at 16 Charles Street, Truro. Joseph Charles Fillbrook was lost in the sinking and his body, if recovered, was never identified.

Mr Joseph Charles Nicholls was born in Nancledra, Cornwall, England on 24 July 1892. He was the son of Richard Henry Nicholls (b. 1867) and Agnes Friggens (b. 1861), both Cornwall natives who had married in 1886 and he had two known siblings: Mary Ethel (b. 1886), Richard Henry (b. 1890). His father was a stonemason who worked at the quarry at Trenowith Downs.
The family appeared on the 1891 census living at an unspecified address in Nancledra, Cornwall. When Joseph’s father Richard Nicholls died is not certain but his mother was listed as widow on the 1901 census when she and her children were living at Corbis Bay, Uny Lelant, Cornwall. Joseph was lost in the sinking. On 23 April 1912 his body was recovered from the sea by the MacKay Bennett.

Mrs Robert Davies was born as Agnes Friggens 1,2 in Ludgvan, Cornwall, England on 23 November 1861. She was the daughter of Grace Friggens (b. circa 1841 in Gulvall, Cornwall) who was unmarried at the time of her birth (3). Grace seemingly married a few years later to a man named Thomas Victor and had at least one more child before emigrating to the USA, leaving Agnes behind.Agnes was apparently raised by Henry White (b. 1820) and Dinah  (4) (b. 1819), the latter née Rowe, natives of Ludgvan who already had a large family. Agnes first appears on the 1871 census living with them at an address in Lennor, Penzance. By the time of the 1881 census, Dinah (now a widow) and Agnes are the only ones present at their home on New Mill, Madron, Penzance and both are described as charwomen. Agnes survived the sinking, probably in lifeboat 14, the events immediately before and after the sinking were recounted by her to a Calumet newspaper on arrival in Michigan.

Read more about the history

Here are some of the images captured on my visit to the Museum.

There were also costumes on display from the popular Titanic movie:

Even though the creation of a romantic story was the main focus of this movie it still highlighted the tragic loss of many lives along with the intensity of that night. A time in history that will always be remembered.  It is also a reminder of how helpless humans can be when dealing with the power and energy of the sea.

Devon and Cornwall PF Conference 20th Anniversary

After a seven year absence from the Devon and Cornwall Pagan Conference, Cassandra and I attended the event this year.

Twenty years is a commendable achievement and as Cassandra was an organizer for the first twelve years, we thought it an auspicious occasion to celebrate with the rest of the team.

It was delightful to receive such a warm enthusiastic welcome from the majority of attendees on our arrival Friday evening. It was obvious many had missed Cassandra’s vibrant entertaining personality.

We had another surprise meeting John and Kitty who travelled from Scotland to attend the Conference. It had been six years since we last met.

Levannah was also delighted to see Cassandra and they spent part of the evening updating one another and sharing a little nostalgia about early Conferences.

On Saturday morning during the Opening Ritual, Levannah made a surprising announcement that the event would no longer have a connection with the Pagan Federation and would continue independently.

The following text is taken from literature handed out at the Conference:

Welcome to Pagan Phoenix Southwest

Pagan Phoenix SW·Wednesday, 7 March 2018

We have organised the conference event for the last twenty years in this region for Pagans with the Devon and Cornwall Pagan Federation. In 2019 there will be some changes to the way the conference is organised. The conference team has decided that it is time to make the conference independent of the Pagan Federation. This will enable it to grow and develop, and continue to be an annual event in Cornwall at Penstowe, for all Pagans and magical folk of all paths, at which we can gather together to celebrate, learn and enjoy.
Pagan Phoenix SW is an independent, locally run non-profit company which has been set up by your organising team to run the conference. This is all it will do; other activities undertaken by the PF will continue to be their responsibility. We will bring you the very best Pagan and magical speakers, artists and musicians.
You should not notice many changes; only good ones. The conference will be run on a not-for-profit basis and the team who organise it will be volunteers and will not be paid. Pagan Phoenix SW will retain enough funds to run the conference. There is currently a charity raffle at the conference but in addition to this, in future, any surplus funds will be donated to charity and if you attend the conference you will be invited to vote as to which charities we should support.
There will be a concessionary ticket rate and we will continue to offer two for one tickets for people with disabilities who require a carer in order to attend. Conference attendees are very welcome to make suggestions for speakers, and performers. We will welcome stall-holders and local crafts persons just as we do now. Accommodation will continue to be organised through our good friends at Penstowe. You are welcome to contact us via the facebook page.
We have already started work on the 2019 conference. The programme will be publicised and tickets will go on sale, as usual, at Samhain.
We would like to extend a very warm welcome to you to the next conference which will be held here at Penstowe on Saturday 9th March 2019. Please put the date in your diary now; we are looking forward to seeing you again next year.
Blessings to one and all from Pagan Phoenix SW!

It surprised us to hear of this change along with other developments, but we understood their reasons for this decision. All who attended seemed supportive as they had enjoyed this event throughout the last twenty years and were happy about its continuity.

Levannah spoke of the early years and it was good to hear Cassandra included in these memories. All of the organizers were asked to stand and the audience applauded them for their hard work.

During the day, there were talks by Julian Vayne, Marian Green, Ronald Hutton, Susanne Rance and Penny Billington (in place of Rae Beth due to ill-health). They are unique and fascinating speakers who are charismatic and confident with their chosen subjects. They have excellent rapport with the audience and this is wonderful to observe.

Julian Vayne never fails to entertain and has a remarkable talent of drawing the audience into his ‘world of the wyrd’ with his fascinating view on the Craft .

Marian Green is a ‘mine of information’ and her delivery is relaxed due to numerous years of experience and a deep connection with her chosen subject. The same can be said of Penny Billington.

Ronald Hutton’s story of his early days within the Craft held one’s attention, especially relating how the Craft was not taken seriously in the past. He attained his position as a Professor before he spoke about these matters hoping his position as an academic would alter perceptions. He injects humour into his stories that helps when discussing deep, serious content.

During the lunch break Cassandra and I were approached by others wanting an update on our lives and work. We were never alone that day as there were many to converse with at this well attended event.

Susanne Rance discussed the meaning of Runes and their connections with certain areas of the body. There are powerful sounds that resonate with various runes when they are sung or chanted. The audience participated by singing each note and the vibrations were distinctly felt around the venue.

Levannah also gave tribute to our dear friend Lorraine Hall who sadly passed away the previous year. She worked as an organizer with Cassandra during the early years of Conferences and I will always remember the wonderful welcome I received from her on arrival at the 2006 Devon and Cornwall Conference.  My former husband and I had purchased our new home in Cornwall and she greeted me with: “Welcome to Cornwall”! She then took me to meet Cassandra.

The speakers along with Damh the Bard formed a panel who were asked questions by members of the audience. A memorable answer came from Damh when he appealed to the Pagan community to put aside ‘sh!tty egos’ and make a concerted effort to get on with one another instead of creating divisions. He also spoke of his first meeting with Cassandra in the early days of discovering his Pagan path. Each question asked was answered in turn by a speaker from the panel. Their individual views, interpretations and stories were inspiring to hear.

During this, the winner of the Deities competition at the 2006 Conference appeared on stage wearing his Cernunnos costume that caused much hilarity when he won that year. I had also entered this competition as Sekhmet among many other entrants.

The closing ritual was the story of a Shaman drumming by a small fire in woodland. His spirit energy connected with various animals, a Phoenix, buzzard, fox, stoat, badger and the woodland spirit.

The narrator explained the symbolism and the gift of insight the Shaman would receive from each one. The animal masks were well made and the costume of the golden Phoenix was beautiful.

No event would be the same without an appearance from our wonderful Cornish Piper Merv Davey to lead the spiral dance. We had the opportunity to converse with him and his wife during the lunch break and he expressed an interest in performing at our All Hallows event.

We visited the London Inn for an evening meal after a ten minute walk from the venue. The night air was refreshing as a full Conference event can become extremely warm. As we studied the menu near the bar a young woman approached me and expressed her appreciation and enjoyment of our Wisewomen in West Cornwall Facebook page. It was good to receive feedback on various posts as well as our updates on work and events.

We arrived back at Penstowe Manor in time for Damh the Bard’s performance. We sang, danced and had a wonderful time with good friends. Fiona was recovering from a recent fall but still worked hard at the event. The evening provided an opportunity for her to relax and enjoy the music.

Cassandra and I were pleased we attended this special event as we had a fabulous time. We wish the Devon and Cornwall Conference a successful future as they forge ahead as Pagan Phoenix South West.

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